A jar for ground coffee by Sovrappensiero for Bialetti showcases the added value of design. Which fits gracefully into the already existing daily rituals and renews them without transforming them. bialetti moka design
30 breads made by designers and chefs. In dough, but also in ceramics, to be given away in a lottery during a Gala Dinner to provide funds to Pane Quotidiano, a non profit organization that for 120 years has been feeding those in need. And 10 tales, by famous authors. With Buoni come il pane, a Triennale exhibition, Alessandro Guerriero and Alessandra Zucchi show how to design solidarity. can be designed.
In a time when many, too many, play to divide the world into factions, we desperately need narratives that make us rediscover the sense and joy of doing things together. Like the one suggested by Coop_70: Values in Box at the Triennale in Milan. An optimistic exhibition. LEGGI QUESTO ARTICOLO IN ITALIANO At the opening di Coop_70: Valori in Scatola (at the Triennale, til January 13th) everyone was very busy. There were people discussing which of the slogans (taken from “the street” and from the brand) was more worth being used in a selfie. Kids running amongst apple trees, trying to collect them, or playing with toy hens and eggs. There was a queue to look into the movies periscopes. And also in front of the photomaton, that allowed people to take a picture with a friend and see their faces into a Coop logo. Everyone was laughing. There were, of course, also many who were reading the manifestos, studying the history of products in the multimedia station. And generally enjoying a history that mirrored …
Can you fall in love with a landscape? And how much would you be ready to spend for it? Marco Tabasso, one of the founders of Anotherview and former talent scout of Rossana Orlandi, tells about his digital windows that tell a 24 hours story of special places, why collectors are crazy about them and why design galleries should change radically. Also giving advice to young designers …
Milan is doing quite well as high tech hub. But wants to fly higher. Because the city believes that innovation is about cultural development more than about tecnology. And that understanding how the digital world works is every citizen’s right.
If it is true that «drones will be everywhere, like pigeons», as some say, how will our cities change? And above all, who will govern this change? One of the chapters of the Drones Files published on D la Repubblica
The retrospective celebrating the centenary of the birth of Achille Castiglioni at the Triennale (by Patricia Urquiola and Federica Sala) is a hymn not so much to design but to life. Which is more beautiful if lived with intelligence, lightness and curiosity. This is why the real protagonists of the show are not objects but people. The people that Achille Castiglioni never forgot when he was drawing the world around them.
It is not easy to talk about the work of Lorenzo Palmeri – architect, designer, musician, author and teacher. The man who got a phone call from Lou Reed who said “I’m in love with your guitar”. An exhibition in Luxembourg now tries to illustrate Palmeri’s multi-disciplinary approach.
It is not easy to talk about craftsmanship without giving in to nostalgia. Yet Homo Faber (at the Cini Foundation in Venice until September 30th) manages to do so by staging an exhibition in which the beauty of artifacts amazes less than the contemporary relevance of the craftmanship that brings them to life. Hence Homo Faber becomes the manifesto of a new culture of European know-how. In which technology serves man and not viceversa. And where talent, dexterity and experimentation create a widespread economic and social value. Designed to withstand the arrival of artificial intelligence.
«Those who control data, AI and digital infrastructures will determine the nature of future institutions. To maintain European social models and defend values and rights, citizens must hold the reins of technology». The Smart City according to Francesca Bria, Chief Technology Officer of Barcelona